'In most genres of performance, the female form is over-sexualised, far above and beyond its male counterpart. Men -- choreographers, funding bodies, institutions and arts critics -- have acted as puppet masters pulling strings behind the scenes of film, dance, theatre and cabaret, orchestrating the ongoing exploitation of women on the screen and stage. Here, the female body is adored, worshipped, venerated even, all while strictly adhering to good old stereotypes of male expectation and desire -- to dehumanising effect. The body - a very specific kind of body - is valued beyond the human inhabiting it.'
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